|Alyssa Kitt shot by Ashlee Savins|
|Photo by http://www.ktbdesign.net/|
Read on to see what we talked about!
I first found you through your involvement in the Australian Pinup and Burlesque scene asÂ well as when you won your title of Miss Burlesque QLD. I loved your creative flair, incrediblyÂ strong stage presence and your captivating energy. Have you always been drawn to theÂ world of Burlesque and what is your favourite aspect of this world of amazing women,Â sparkly things and enthusiastic crowds?
From a young age, before I even knew what burlesque was, I was curious about things that wereÂ representative of female sexuality, and all of these things were taboo, naughty, risquÃ© and behindÂ closed doors. I was always trying to peer into lingerie shops and wanting to try lacy things on. ForÂ me, this was what becoming a woman was about â€“ wearing lingerie symbolised that I had grownÂ into my body and was therefore a woman. When I was eighteen I stumbled into the world ofÂ burlesque and met a community of women with shared similar interests and visual markers â€“ theyÂ wore what they wanted in public and didnâ€™t abide to the conservative rules of dress and behaviourÂ that I had grown up with in country central Queensland.
These prominent visual markers represented confidence in oneâ€™s own self, oneâ€™s own body and IÂ wanted to grow up to be like these women, I looked up to these women and I still do. You couldÂ identify those who did burlesque or pinup by the way they dressed â€“ often in vintage apparel,Â brightly coloured red-lipstick and were always confident with edge of the risquÃ©. To me, these visualÂ markers â€“ or visual representation of identity connected me even further with the women aroundÂ me.
My favourite aspect of this world is that we are counter-cultural, weâ€™re loud, we speak our minds,Â we wear what we want and draw attention to ourselves and celebrate our diverse backgrounds.Â There are so many supportive people burlesque and Iâ€™m grateful for every second I get to spend withÂ them! Weâ€™re all constantly learning, evolving, growing and I love being a part of a community of like-minded women.
|Photo by http://www.ktbdesign.net/|
I love that you identify as a feminist and adore seeing posts on your Instagram aroundÂ supporting fellow ladies within the burlesque scene. After all, real queens help fix eachÂ otherâ€™s crowns in a time of crisis. What are your thoughts on the notion of empowering andÂ lifting women of all backgrounds and walks of life?
As Iâ€™ve grown and learnt more, identifying as a feminist has become more and more important toÂ me. Iâ€™ve been very lucky to come from a background that encouraged me to seek an education. Iâ€™mÂ about a month off graduating my fourth degree with my Masterâ€™s in Publishing at the University ofÂ Sydney and am reading widely in preparation for my next academic undertaking (cough cough, yesÂ even after ten years of academia Iâ€™m signing up for another stint â€“ one that might mean calling meÂ Dr Kitt). Iâ€™m inspired by a lot of what Iâ€™m reading and my social media is reflective of this desire toÂ further propagate the positivity and empowering notions of self-love, body positivity and inclusion.
For centuries women have been pitched in direct competition against one another, so there is noÂ doubt why there is culture of competitiveness between us. As young girls we are taught to act likeÂ ladies, dress demurely and speak when we are spoken to. If ascribe to the societal notion of beautyÂ or practice to make yourself more beautiful, then youâ€™ll snag the the most handsome, wealthy man,Â have beautiful children and live happily ever after, however, if thereâ€™s another attractive womanÂ around they could steal all of this away. This competitive cultural construction has bred negativityÂ and exclusion.
Weâ€™re taught that if one woman is beautiful, then somehow that makes another woman lessÂ beautiful. If one woman is successful then her success detracts from that of your own, as thoughÂ there are a finite amount of good partners or good jobs out there. This myth is completelyÂ inaccurate and is steeped with insecurity and low self-esteem. Well itâ€™s 2017, and this myth is stillÂ being fed to us through popular culture and mainstream media. Itâ€™s high time that changes. LearningÂ to support our fellow women is something that needs to become everyday practice for us â€“ and justÂ like any other muscle, daily practice will make it strong.Â
The only way forward is by promotingÂ positive change, representing and celebrating diversity.
|Live at the Australian Burlesque Festival, Photography by 3 Fates Media|
One thing Iâ€™ve talked about a fair bit online myself is that pinup is a style that can evolveÂ with you as you grow as a person. Itâ€™s such a personal experience for the individual and IÂ imagine Burlesque in its own way is the same in that regard. We learn new things; we experience new things, we get feedback, which in turn helps us to grow. With theseÂ lifestyles being so visually represented in our appearance, this in turn does translate toÂ changes in how we present ourselves. Have you found this yourself in your own journey?
Fashion is our way of expressing ourselves, not just pinup but anything we choose to wear and theÂ way we represent ourselves. Pinup style being set within a certain historic period which means ourÂ inspiration is often unchanging. However, just as the fashionable â€œboyish shapeâ€ of the 1920s vampsÂ and flappers grew into the shapelier bodies that became du-jour in the 1930s; as the fabric rationsÂ from WWII period were lifted and and sprang the wide circle skirt â€“ we too evolve and findÂ inspiration within the different eras of the past.
Being that we are living in the modern age, we are afforded a great many advantages that were unseen to our foremothers â€“ whoâ€™s style of dress was often dependent on national economicÂ stability and industrial production costs of clothing. Things such as the stretch of fabrics shape ourÂ appearance as much as having the internet at our fingertips. We can shop online from around theÂ world and have garments delivered to our doorstep.
Iâ€™ve been dressing in pinup style for quite some time, so over the years my aesthetic has changed soÂ much. Your body is a canvas for an ever-evolving piece of art that is your body. My own body hasÂ changed over ten years, and the silhouettes that Iâ€™m drawn to have changed as well. Along with lifeâ€™sÂ daily challenges â€“ I no longer dedicate an hour a night to wet-setting my super-long hair, but canÂ bust out a pretty great fringe set in a matter of minutes.
Burlesque is, in my opinion, a little bit different from the pinup world â€“ because we are performingÂ artists creating shows and acts, our visual aesthetic is only one facet of what we are presenting to anÂ audience. Although burlesque has stemmed from the past and many of the popular aesthetics areÂ inspired by the golden age of burlesque, we are all in essence neo-burlesque performers and areÂ also inspired by things that are happening now be they fashion trends or socio-political commentary.
|Photography by Brent Leideritz|
As a body positive advocate, Iâ€™ve noticed that when you do decide to make changes to yourÂ own aesthetic/body, for whatever reason you choose there can be a back lash orÂ questioning as to if your stance on body positivity is valid. This seems to happen especially on social media platforms such as Instagram. For all the progress that has been made withÂ body positivity in the media, it does tend to lean towards a stagnant view of self love: if youÂ love yourself why do you need to change?
Social media has in and of itself revolutionised life (or perhaps just the way we represent our lives toÂ others). We have evolved into both digital consumers and producers or â€œprod-usersâ€, we bothÂ produce our own content and consume other user-generated content shared on any chosenÂ platform.
Think of your Instagram as a digital archive of your life â€“ similar to the photo albums that previousÂ generations used, they would choose what photos would go in there and which ones didnâ€™t, theyÂ would present these albums to friends, family or whoever would stop by for tea. The digitalÂ revolution has changed this â€“ our networks have vastly grown, as has our ability to disseminateÂ information through these networks. We are no longer confined to friends physically coming over toÂ visit our living rooms and flipping through our photo albums or seeing our pictures hanging on ourÂ mantle-pieces.
The nature of social media is that itâ€™s a two-way flow of communication, that has given everyoneÂ both a voice and the flip side of that is that we are essentially starting a conversation any time weÂ post something. So instead of your friends coming over to visit you in person, where if youâ€™veÂ changed they might say, â€œOh Alyssa â€“ youâ€™ve cut your hair! It looks swell!â€ We now have a veryÂ crowded living room of people that we might not necessarily invite over all talking at once. TheseÂ interactions have a very different social convention and donâ€™t necessary follow the same face-to- faceÂ etiquette. Everyone commenting at once, in their varying opinions on your change can becomeÂ overwhelming.
Think of your Instagram account – the more followers or social reach/ circulation/ influence, youÂ have â€“ the more people are crowded into your living room, discussing your new hair-style. SomeÂ might not like it but choose to be a supportive friend, some might be jealous of how fabulous youÂ look but choose to respond negatively, others might just be in a shit mood and react accordingly. In the same vein that we can choose to post a picture, we choose to comment on others content, weÂ choose these words and the message conveyed behind text, pictures, gifs, memes or videos. IÂ implore everyone to choose their words wisely when commenting, but also choose whoâ€™s words youÂ decide to imbue deep meaning with.
Onto the next part of your question â€“ this statement is super interesting to me, â€œIf you love yourself then why do you need to change.â€ Because change, personal growth and movement is an inevitableÂ part of life â€“ itâ€™s how you know we are living, breathing humans connected to those social mediaÂ accounts. Our bodies change and age â€“ weâ€™re not a static piece of art thatâ€™s hanging in a gallery.
For any person writing â€œIf you love yourself then why do you need to changeâ€ on a post on socialÂ media – if you liked the older version, those photos and memories still remain, just scroll down.Â Know that if we choose to post this digital event into our archive, then that is the way we areÂ representing ourselves, and itâ€™s our own choice â€“ not yours. Bodily autonomy is important, and ourÂ own decisions to alter our appearance is never up to anyone else but ourselves.
I also wanted to touch on the issue of privacy as a public figure in both the pinup andÂ burlesque scenes as well. With the world of social media being everywhere, there is aÂ constant expectation with public figures that every aspect of their life must be available forÂ consumption by their readers to be judged and have opinions past on. As a private personÂ myself, Iâ€™ve faced criticism for wanting to keep parts of my life off social media, as I donâ€™tÂ feel they need this â€˜trial by mediaâ€™ process applied to them. What are your thoughts aroundÂ how this is evolving within the world of social media as a public figure yourself?
Ahh, privacy â€“ privacy is a beautiful thing, just because I swan about on stage naked, doesnâ€™t meanÂ Iâ€™m happy for my neighbours to peer in through my windows when Iâ€™m coming out of the shower â€“Â same goes for online interactions on social media. If itâ€™s something that youâ€™ve posted up for publicÂ discussion â€“ then great! Otherwise privacy need always been respected. Iâ€™m actually a very privateÂ person â€“ I select what goes on my social media to accurately represent my brand as a burlesqueÂ performer, and align myself with my own world-views. I donâ€™t post much of me going out to dinnerÂ with my friends and partner, nor do I post much of working out or doing laundry. We can pick andÂ choose what we choose to post and if thereâ€™s something that we donâ€™t want to post, then thatâ€™sÂ nobody elseâ€™s business. The expectation that it would be otherwise is frankly ludicrous.
|Alyssa Kitt shot by Ashlee Savins|
In the past few months, its been delightful to watch you join the Sydney Sky Sirens studio toÂ start teaching classes there, with your students performing their first night cap recently withÂ great success. How has it impacted you being able to teach new ladies to burlesque and helpÂ them grow in their own journey?
Oh thank you! I had been in Sydney for about 16 months when studio owner Katia SchwartzÂ
approached me to teach for Sky Sirens â€“ and I was constantly touring and not able to commit toÂ weekly classes. When I went into the studio for the first time â€“ it was just such a beautiful space, fullÂ of positivity and love and I havenâ€™t looked back. Iâ€™m currently teaching a class called Big, Bad, BootyÂ â€“ which is a fun combination of learning basic bump and grind technique, with modern girly/hip hopÂ style choreography to modern music that everyone is pretty familiar with.
While I had taught this as a workshop for years itâ€™s been quite a few years since Iâ€™ve taught weeklyÂ burlesque classes â€“ most of my teaching had been on a one-on- one basis and working on act/concept development. While itâ€™s been such a delight, itâ€™s been challenging for me as Iâ€™ve neverÂ thought of myself as a choreographer, and remembering my own dance steps can sometimes beÂ pretty challenging for me. I like to think that I teach a lot more than dance steps, I like to teach theÂ students about intention, the meaning imbued behind movement and often pop in a bit of a historyÂ lesson, while introducing them to other amazing burlesque artists work! We have a lot of fun in theÂ studio and itâ€™s such a delight to see the â€œpussy gangâ€ really come out of their shells at the end ofÂ term show!
Youâ€™ve been posting a lot recently about your latest project, The Australian BurlesqueÂ Journal in association with the Australian Burlesque Museum. What made you want to startÂ this project and what is the eventual aim with it?
The Australian Burlesque Museum was founded a few years ago by Bella de Jac and a few otherÂ founding members, but I only recently came on board as their curator for research. With anÂ academic background and training as both a historian and a journalist I thought what betterÂ combination than to help teach other burlesquers how to form research projects and get into theÂ archives. Currently, a lot of burlesque history is American-centric, and very little is widely known inÂ the burly community about Australiaâ€™s very own vaudeville and stripper-history. Iâ€™m currentlyÂ forming some research groups around different locations in Australia and getting them started onÂ different projects. There are also a number of people doing independent research in Australia that IÂ have approached to have contribute their work. All of this will go into what will eventually be theÂ Australian Burlesque Journal, which will run as a not-for- profit archive of photographs, researchÂ articles and interviews. We have an amazing team of volunteers on ABM but we will never turnÂ down an extra set of skilled hands.
|Photo by http://www.ktbdesign.net/|
Thank you so much. Having just found out this week means that it’s still sinking in, so please bear with me, every time I think about how much this means to me again I start tearing up.Â To perform at the Burlesque Hall of Fame weekender in Las Vegas is the highest level of achievement for any burlesque performer andÂ to say that it is an honour is an understatement.Â The Burlesque Hall of Fame is a nonprofitÂ museum in Las Vegas that is dedicated to preserving, sharing and celebrating the history of burlesque. The BHoF weekend of shows, including the Miss Exotic World competition is their biggest fundraising event on their calendar.Â
Burlesque has an incredibly rich history, however, as is the case with much female history, the history of striptease still lacks a great amount of legitimacy or respect from the wider academic historical community. Having an archival space solely dedicated to preserving documents, photographs, costumes as a vault for future researchers to research the history of striptease is hugely important. Today we have a globally thriving burlesque community that grew out of the neo-burlesque revival in the late 80s and 90s. We are but a spot on the timeline of trailblazing women who paved the way for us to be able to celebrate our naked bodies in front of audiences â€“ they battled censorship laws, being jailed for public indecency and acts of lewdness, not to mention being looked down on by much of society.
To be accepted to compete for the title of Miss Exotic world, reigning Queen of Burlesque is without a doubt the pinnacle of my career to date. There has been less than a handful of Australians to compete for Queen, including Imogen Kelly who was crown reigning Queen of Burlesque in 2012. It is a rigorous application process, with applications coming in from all the best performers around the world.Â I had applied a number of times before I was accepted to compete in the best debut category in 2015. This is my first time competing for Queen of Burlesque but I donâ€™t even feel as though Iâ€™ll be competing against those up on that massive stage on June the 3rdÂ â€“ weâ€™re all there to support the museum and spread the word about how important it is to preserve our stripping history.
To shake my booty for an audience of the living legends of burlesque and a packed casino theatre is not just an honour but an incredible privilege and one that means just so much to me. I think about all the people who have graced that stage and they are my idols, the rockstars, the bad girls and the trailblazers. This event is a pilgrimage for every burlesque performer in the world and just to be there, let alone perform. We are the glitterati and when you look around at the audience of industry superstars dressed to the nines in provocative gowns â€“ you know youâ€™ve found your people.
If youâ€™d like to become a member of the Burlesque Hall of Fame or donate to the museum you can do so through their website:Â http://www.burlesquehall.com/support/
|Photo by http://www.ktbdesign.net/|